Evel Knievel, Pohjois-Kalifornia, 9. huhtikuuta 1972.

The grain and contrast in this black-and-white shot are gorgeous, especially the crowd blurring behind him. I hung it in my garage and it looks like it came straight out of a 70s archive.

The grain and contrast in this print are perfect—it really captures the grit of that live jump. I framed it in the hallway and catch myself staring at the crowd's faces, not just Knievel mid-air. Elizabeth Sunflower's eye for the moment is spot on.

Hangs above my desk now and the matte finish keeps glare down in the afternoon light. The black-and-white tones look authentic to the era, though I wish it were offered a bit larger.