John Prine, June 22, 1972.

I hung the 16x20 above my record shelf and the grain in his face holds up even up close. You can feel the whole room in that shot, like the crowd just went quiet for "Sam Stone.

The 11x14 print arrived perfectly flat and the black-and-white tones really capture that raw 1972 concert energy. Jon Sievert's shot makes you feel like you're right there in the crowd, and the paper quality is solid for framing.

The black-and-white contrast is nice and the 16x20 size fits well above my record shelf. Shipping took almost three weeks though, and the paper feels a bit thin for the price.