Elizabeth Taylor, 1955

The candid shot from the Giant set feels so unposed, like she just glanced over between takes. The black-and-white tones are rich without looking overly contrasty, and the paper stock has a nice weight to it.

The matte finish on this print really brings out the softness in her expression, and the candid feel of the 1955 Giant set photo makes it look like a genuine moment rather than a posed portrait. I've hung it in my hallway and catch myself stopping to look at it every time I pass by.