Category: Milton H. Greene
Gemaakt in 1966 voor een artikel in Glamour over filmmooheden, is dit beeld van Sharon Tate een van de laatste formele portretten die vóór haar vroegtijdige dood zijn gemaakt. Sharon ziet er fantastisch uit, gehuld in bont.
The story behind this portrait makes it so much more than just a beautiful photo—knowing it was one of her last formal shoots gives me chills every time I look at it. Sharon’s expression is so effortlessly glamorous, and the print quality really brings out every detail in that fur.
The history behind this portrait makes it feel so much more meaningful, and the print captures every detail of her expression beautifully. Framed it in my living room and guests always stop to ask about it.
The fur looks incredible against her expression, and the print quality really captures the softness of the light in that 1966 studio session. I’ve hung it in my hallway and people always stop to ask about her story.
